Review: BBC's harrowing drama Floodlights should open up debate on football's darkest secrets
and live on Freeview channel 276
Apart from pitch invasions and both fans and player assaulting each other, Floodlights (BBC2, Tues, 9pm) was a harrowing reminder that “the best league in the world” and the excitement and drama of the play-offs can’t hide the rot which is at the heart of much of football.
Focusing on Andy Woodward, the former professional footballer who was one of the first to blow the whistle on the sexual abuse of youth players, this was an effectively simple and harrowing story.
Advertisement
Hide AdAdvertisement
Hide AdBarry Bennell – played by a charming, yet sleazy Jonas Armstrong – was a youth coach at Crewe Alexandra, who abused dozens of young boys in his care during the 1980s.
Using the carrot of lucrative professional contracts and the stick of expulsion from the team, Bennell coerced youngsters into appalling acts of abuse. Parents were seduced by the prospect of financial security, clubs by successful teams on the pitch, and warning signs were seemingly ignored.
Max Fletcher is terrific as the young Woodward, never more so than when Bennell – having insisted his boys train on Christmas Day – makes his advances again.
"Do you have to tonight?” asks Andy. “It’s Christmas.”
Like the the rest of the drama, it’s a simple line that hits incredibly deep, speaking of innocence stolen, dreams crushed and futures wrecked.
Advertisement
Hide AdAdvertisement
Hide AdIf nothing else, Floodlights should serves as a salutary warning to look deeper than the win/loss column.
The Chris and Rosie Ramsey Show (BBC2, Mon, 9pm) had late-night Friday written all over it, but for some reason went out on a Monday. Comedian Chris and wife Rosie have a podcast looking at family life, and they’ve now translated it to TV. A bit like a dinner party which only starts to get fun when the booze begins to flow.
The Rising (Sky Max, Fri, 9pm) is a strange little thing. The concept sees Neve, a moto-crossing 19-year-old with family issues, waking up floating in a lake, before she gradually realising she has actually died. It’s a high concept but filmed in such a way that it seems more suited to a late-afternoon slot on CBBC.